This year’s Game Awards ceremony garnereda lot of justified criticismfor the way it rushed winning developers off stage in favour of adverts, rambling conversations with Hideo Kojima, and celebrity cameos from the likes of Timothée Chalamet.

Obsidian’s Josh Sawyer was right when he called it an “embarrassing indictment of a segment of the industry desperate for validation via star power”. Yet I still can’t help but also see the Game Awards as something else: a sign of progress. That’s because I remember the Spike Video Game Awards from 2007, which remains the nadir of both the games industry specifically and popular culture in general.

The rest of the show continues in the same vein, with nearly every actress who appeared on a show on The CW in the mid-00s in attendance, and appearances by Tila Tequila, Criss Angel, and a musical performance from Kid Rock.

If you remember the 2007 awards at all, it’s probably for the way they end, however. Rachel Bilson (from The OC) and Hayden Christensen (from Jumper) arrive to reveal the winner of Game Of The Year. It goes toBioShock, but as Ken Levine steps up to collect the award (a statue of a smoking monkey), the stage is rushed by the founders of shortlived video game publisher Gamecock in capes and rooster hats, who grab the microphone to promote their company. Levine never gets a chance to speak.

This caused controversy at the time. How dare those Gamecock jokers deny Levine - then-poster boy for video games' growth as a serious medium - his moment in the sun? Gamecock CEO Mike Wilson apologised in the days after the show (and then sell Gamecock and co-found Devolver Digital with the same partners the following year - quite the glow up).

What caused less controversy than it should have at the time was everything else happening onstage at that same moment. I’ve buried the lede here. Back at the start of the show, Samuel L. Jackson explained that in 2007, the winners in each category of the Spike VGAs would be revealed via the medium of mostly-naked women covered in body paint. “And the winner is… all of us,” he quips. So whatactuallyhappened when Game Of The Year was announced is that Rachel Bilson said “And the winner is…”, and then the camera crash-zoomed onto a woman’s breasts with the BioShock logo painted across them. Then someone wearing a full Big Daddy costume stomped on stage.ThenGamecock grabbed the mic - in their red costumes, somehow only the third tackiest thing happening on stage.

Levine is no longer the poster boy, and BioShock is no longer the thinking-person’s blockbuster, but it’s easy to look back at this single moment and build a narrative around a games industry going through growing pains. Here was “the Citizen Kane of games”, as people who had seen precisely one movie called it, being debased via contact with mainstream perceptions of the medium.

That narrative doesn’t really survive contact with reality - in which there was only minor criticism of the VGAs at the time, it would continue in the same vein for several more years (2008 had cheerleaders and zero developers onstage at any point), and the games and developers were frequently as crass as the production around them.

You can watch the 2007 Spike Video Game Awards on YouTube. Warning: it’s not safe for work.